“Public Humiliation” doesn’t try to soften the blow. ALEIA’s debut EP sits right in the middle of emotional fallout, tracing the awkward, painful, and sometimes quietly absurd sides of heartbreak without stepping around them. The sound is restrained but carefully layered. Soft piano, light guitar, and ambient textures give the songs space to breathe, while […]
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“Kicking Drugs” feels like Cedarsmoke loosening their grip a little and seeing where things land. It’s a shift, but not a forced one—more like a band following a feeling rather than a formula. There’s a looseness to the track that works in its favour, letting different textures drift in and out without ever fully settling. […]
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“Finding My Destination” feels like the opposite emotional climate to ALEIA’s EP. Where Public Humiliation sits in the aftermath, this track moves forward—open road, sunlight, and a sense of motion rather than reflection. Georgia Scarlett leans into a warm country-pop palette here. Acoustic guitar drives the track, but it’s the details—banjo, harmonica, light electric textures—that […]
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Today, we are excited to share with you these artists that definitely need your attention. Not meant to be (Shakalaka) by Hey Julis! Lately by Hello Sister Things You Never Said by Hello Sister Hotel Jugoslavija by The Library is On Fire DM’s by Hevs Journey Back Pocket by The Library is On Fire Broken […]
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“Couple Kids” takes its time getting where it’s going, and that slow build is exactly what makes it work. Ella Fence doesn’t rush the emotion—she lets it gather, piece by piece, until it finally opens up into something much bigger. It starts in a sparse space. Reverb-heavy guitars stretch out, leaving plenty of room for […]
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“Selling Out” captures a deeply personal moment for Lucinda Poy, turning a stressful, ordinary day into something emotionally resonant. The song was written after a difficult shift working in hospitality, and that real-life exhaustion bleeds into every part of the track. The track leans into a soft indie sound—tender guitar lines, gentle drums, and layered […]
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“Hold Everything Lightly” is the kind of record that doesn’t try to demand your attention—it earns it quietly. Isabel Rumble leans fully into restraint here, building an album that feels less like a statement and more like a slow unfolding. It’s rooted in indie-folk, but what really defines it is its sense of space—everything is […]
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Charlie Lane’s debut album feels like someone opening a journal they weren’t sure they’d ever share. I’m Okay Now But I Wasn’t doesn’t hide behind metaphor too much. It’s direct, messy, and very personal in a way that sticks. Across its eleven tracks, Lane moves between softer, reflective moments and bursts of energy. “Gold Drips” […]
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Katie Reid’s “6 Feet Under” opens in a quiet, almost ghostly space before gradually lifting into something warmer. It’s a soft indie rock track that tracks the emotional fallout of a breakup without rushing the process. Her voice sits at the center, moving between delicate and firm as the song builds. The arrangement follows that […]
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“Stereo” feels like it exists in that blurry space between reality and imagination—the kind of song that doesn’t fully land in one moment, but drifts between a few at once. Angelina Curtis leans into that feeling, building something that’s detailed but still light on its feet. The production carries a soft, dreamlike quality. Flowing guitar […]
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